Good timber floors, suitable for dancing were important back in the days when Mechanics’ Institutes (and their interstate counterpart - Schools of Arts (1)) hosted dances and balls on a regular basis.
This report from 1913 tells us the importance of a good floor not just for dancers but to the broader community. The article, from Penshurst, was about proposed improvements to the Mechanics’ Institute –
In spite of all that can be and has been said in support of the laying of a new floor, this most essential improvement has been passed over - as for as the general committee is concerned at any rate - without so much as brief mention. To say that the dancing public who have been supporting the Institute for years are indignant at this step is only expressing one of many feelings. Throughout the winter there is not another form of amusement which contributes a sum to the hall rental to be compared to that secured from the dancing public. Nearly every week - indeed sometimes twice in one week - a euchre party and dance or dance straight out is taking place in the hall, and that the floor that the patrons are asked to dance on, is sufficient to bring disfavour on the town's prosperity. (2)
What type of timber was used in floors?
Kauri Pine seemed very popular – it was used in Mechanics’ Institutes in Cowwarr in 1898; Morwell, Rosebud and Smeaton in 1905; Toongabbie in 1911; Gormandale in 1914 and Melton in 1951. In 1917 Tooradin installed a floor of Tasmanian Blue Gum and in 1888 at Blackwood and 1935 at Horsham floors of a Tasmanian hardwood were laid. In 1932 the new floor at Corryong was Murray Pine. In 1912 the new floor at Corowa in New South Wales was Jarrah and this was also used in 1939 at Bruthen. In 1954 Springvale installed a Tallow Wood floor. (3)
Tallow Wood was also used in New South Wales and it was used for floors at Gosford in 1924 and Bowral in 1949. (4) Crow’s Ash floors were installed in Gatton in 1926; Beaudesert in 1936 and Woombye in 1944 – all towns in Queensland. Brusk Box hardware was used in Epping in New South Wales in 1931. In 1952 in Tasmania, the Scottsdale Mechanics' Institute had a Myrtle floor installed. (5) This is not an exhaustive list, of course, it is just some of the references I have found.
There were two parts to having a good floor for dancing – the installation and the preparation or maintenance. In 1905 the new floor at Rosebud was of the best kauri boards and is to be laid down in the most approved manner for dancing. (6) To be honest, I don't know what the approved manner was.
Even the best installation did not protect a floor. At Scottsdale, in Tasmania, in 1953, some of the myrtle floor boards began shrinking less than six months after installation. At the local council meeting it was reported that - The Warden and Councillors were amazed at the fact that the floor needed treatment, as no expense had been spared in the laying down of the floor, and from the outset of the scheme, they had acted on the best advice procurable in the district. The floor has only been completed for a few months, and Councillors said that it seemed ridiculous that it needed attention so soon. The Warden said that the timber had been racked according to the advice of one of the prominent timber men in the district, the Council had been told by several that the timber was ready to be used and not to delay, and finally, the floor had been laid down by the most skilled labour offering in this area.
Councillors said that they could not understand where the scheme had fallen down, and decided that the faults must be remedied as soon as possible. Cr. Salier suggested that the C.S.I.R.O. be approached as to a suitable filling agent for the floor, and that the job be undertaken as soon as possible. The Clerk informed the meeting that a C.S.I.R.O. inspector would be in the district this week, and stated that he would take the matter up with him then. (7)
Preparation of FloorsThe floor, once installed, had to be maintained to be optimum for dancing. Apparently highly polished floors could be 'too fast' and thus slippery, so sometimes sawdust was sprinkled on them to create some friction. Thus in 1898 we have this report from Cowwaar - Thanks to the committee of the Mechanics Institute a new floor of Kauri pine, 4 x 1¼ has recently been put down in excellent style by Mr Edgar Hawes, and it was a treat to dance on. At the same time no liberties could be taken with the floor, as it was as smooth and even as a mirror. It was amusing to see with what a degree of caution those who essayed their first dance waltzed and swung. The new floor is certainly a change in the right direction, and we have been very patient in putting up with the old and knotty one so long. (8)
In 1936 in the Beaudesert School of Arts it was reported that - The floor had received its final treatment by Mr. R. J. Fuller, and was in first-class condition. It was so fast that at the beginning dancers went very warily, and the first fall was recorded by the genial vice-president, Mr. J. V. Shay. (9)
On the other hand a floor could be too 'sticky' and slow. In 1933 the floor at Bairnsdale had become very rough and heavy for dancing, so it was being replaced. (10)
In 1931 in Epping, New South Wales, at the School of Arts it was reported that -During the holiday season, whilst the demand for the hall was slack, the committee of Epping School of Arts decided to remove the complaint that the dancing floor was not up to date. They have had it relaid with thoroughly seasoned Brusk Box hardwood, which has the reputation of being the best procurable description of timber for the purpose. With the floor sand-dressed and waxed, there should not be any excuse for local residents going elsewhere for their terpsichorean exercise. (11)
The floor was so important that we find the following sorts of references when balls or dances were advertised -
carefully prepared floor; floor in excellent condition for dancing; in describing the new floor – should be fast enough for dancing; the floor has received special attention; floor prepared to state of excellence; new floor is equal to any in the district for dancing. (12)
At the Corryong Athenaeum in 1932 the following decision was made regarding the preparation of the floor for a dance –
The only major improvement effected during the year was the laying of a new floor, which was made possible by the liberal offer of Mr Keays. The timber selected was Murray Pine and in spite of croakings and an inauspicious start the small brook of criticism has now ceased to flow, overcome by a large stream of praise. Guided by the experience of the first two dances held after the laying of the floor for which the preparation of the floor was left to the users, the Committee decided that the Caretaker only should be allowed to prepare the floor and that all users should pay him a fixed charge for his material and labor. Since this arrangement the floor has steadily improved and is better for each dance. The attendances have shown that the public appreciate the better dancing conditions. The Caretaker deserves great credit for the pains he has, and is taking to preserve the floor in good condition. (14)
For a ball at Frankston in 1939 it was reported that - The dance floor at the Mechanics' will be specially planed and polished by a Melbourne firm, so that patrons will be assured of a perfect floor. (15)
What were some of the reactions from dancers of new or well prepared floors?
In 1929, at the Mechanic’ Institute in Singleton in New South Wales -The new floor put down for dancing was used for the first time, and dancers classed it as perfect. (17) It may have been perfect but another local paper had this report –
The new floor in the hall of the Mechanics' Institute, which found great favour with dancers on the opening night, March 18th, should afford much more pleasure and satisfaction on the occasion of the next dance function. On Monday afternoon the floor was specially treated, and its present well polished surface is an index of what can be accomplished by up-to-date methods. Representatives of the American Floor Surfacing Machine Company, from the Sydney factory of Burrows, Crawford, Ltd., were present with an electric polishing machine, and after the floor had been treated with a liberal application of wax, the machine was run over it, with the result that a beautiful finish was given to the floor. (18)
In another report from New South Wales, this time from Robertson in 1939 -
The dance floor of the new School of Arts Hall at Robertson was tried out for the first time on Wednesday night of last week when about three hundred dancers were in attendance at the opening ball. They were loud in their praises of the specially constructed floor and classed it as one of the best they had ever danced on. (19) Of interest is the fact that 300 people in a country town attended a ball in the middle of the week.
In 1945, at the Mornington, the dancers were also loud in their praises –
The new floor laid down by the Council in the Mechanics' Hall building was in use last Saturday night, when the usual Fire Brigade dance was held. Dancers were loud in their praise at the big improvement. (20)
In 1949 at Bowral in New South Wales - The new floor at Bowral School of Arts was used for the first time at the Scottish Association dance on Saturday night. Constructed of tallow-wood, its good surface was greatly appreciated by the dancers. (21)
In 1951 at Melton - The new kauri floor installed in Melton Mechanics' Hall was voted all that could be desired when dancers tested it at the Re-opening Ball last Monday night. A splendid gathering of over 250 people was very encouraging to the Hall Committee. (22) Once again, the number of people attending is of interest - this ball took place on a Monday night, in a small country town - the population of Melton at the time was around 450. It shows a good community spirit. (23)
We will end this post with this 'uplifting' floor story from 1927 -
While a dance was going on in the Poowong Athenaeum Hall, South Gippsland, at 12.45 a.m. to day, there, was a severe explosion under the floor. None of the 50 couples on the floor at the time was injured, but the greater part of the floor was lifted over half an inch from the blocks. Apparently the cause of the explosion was gelignite, which had been placed in a tin. A few minutes before the explosion, a man, who hid his face, was seen crawling out from underneath the hall. Minute pieces of tin were found embedded in the underneath part of the dance floor, several boards of which were splintered. Police are investigating. (24)
It appears that the culprit was a man who was jilted by his former sweetheart, who refused to accompany him to the dance. On Wednesday night she danced with a man, who it is said, had been a rival of the suspect for some months. (25) They were very lucky there were no major injuries.
Trove list





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